10/7/2023 0 Comments Marshall guitar key holder![]() SL-18 SuperLite TMB - This kit starts with the PP-18 circuit (above) and adds the preamp from the Single-Ended 5A (above) to provide more preamp gain treble, middle and bass (TMB) controls and a master volume for balancing preamp and power amp overdrive that is reminiscent of the mid-1970s style of overdrive tone.The kit uses British-made transformers, Mallory 150 signal capacitors and a hand-wired turret board. This combination creates a dynamic, touch-responsive medium-gain amp that's perfect for blues and classic rock. Like the original Marshall it has simple preamp with just tone and volume controls and a no-frills cathode-biased 18W power stage. The PP-18 circuit uses the Normal channel circuit of the 18W Marshall of the mid to late '60s. PP-18 Vintage Plexi - is a "baby Bluesbreaker" in an easy-to-build guitar amp kit.There's also a Fat switch to compensate for single-coil pickups, and a Boost switch that removes the treble and bass controls to give a raunchy, overdrive tone. The power level is switchable between 1, 6 and 12 watts. It ships with two 6V6 tubes, but it will also run with one or two 6L6s, or one 5881/E元4/KT66/KT77/KT88. The Double-Six has independent treble, middle and bass controls for a wide range of clean tones. Most amps are built for maximum gain a have a narrow range of clean tones. Double-Six 1/6/12 - is an amplifier designed for a wide range of clean tones.With the distortion available, it feels considerably louder than a cleaner amp, such as the 4W WF-55. It's a typically 'British sounding' amp, with a bright tone full of harmonics when overdriven. A three-band tone stack (treble, middle and bass) allows you to fine-tune your guitar tone. Gain and Master volume allow for balancing preamp and power amp distortion. Single-Ended 5A - is a 5 watt single-ended Class A amp, with treble, middle and bass controls.Just like the original, there's one control for volume. ![]() ![]() The WF-55 uses the same signal path circuit together with a slightly modified power supply, to lower the Tweed Champ's inherent noise level and make the amplifier cheaper to build. The result was a fantastic little amp - with a warm and woody tone when clean, and a great raunchy crunch tone when the amp's cranked. In 1955, Leo Fender tweaked the circuit of his 'cheap and cheerful' Champ to create the famed 5F1, or Tweed Champ. The Woodface WF-55 uses the simplest circuit design of any guitar amp ever produced: the Champ. Woodface 55 (WF-55) - Their easiest to build kit, with 4 watts of tweed-voiced tone with a mahogany control panel.The Amp Maker line of kits today include: Their design approach is to make good tone affordable. Amp Maker (is a Suffolk, England based maker of tube amplifier kits, started in 2005.
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